Amponsah, Michelle N. and Emma H. Hairdar. March 31, 2023 \u201cHarvard College Accepts 3.41% of Applicants to Class of 2027.\u201d The Harvard Crimson<\/i>.<\/p>\n
Dope.<\/i> Directed by Rick Famuyiwa. Open Road Films, United States, 2015.<\/p>\n
Garrett, Ural. \u201cForget the Rams and NFL: What will happen to Inglewood\u2019s growing Hip-hop scene?\u201d Hip-HopDX, January 14, 2016.<\/p>\n
Gross, Terry. October 16, 2015. \u201c\u2018Dope\u2019 Director On Geekdom, The N-Word, And Confronting Racism With Comedy.\u201d Fresh Air<\/i> on NPR.<\/p>\n
Henderson, Odie. June 19, 2015. \u201cDope.\u201d RogerEbert.com<\/i>. https:\/\/www.rogerebert.com\/reviews\/dope-2015<\/a><\/p>\n Maddox, Alexia, Monica J. Barratt, Matthew Allen, and Simon Lenton. \u201cConstructive Activism in the Dark Web: Cryptomarkets and Illicit Drugs in the Digital \u2018Demimonde.\u2019\u201d Information, Communication & Society 19, no. 1 (2016): 111\u201326. https:\/\/doi.org\/10.1080\/1369118X.2015.1093531<\/a>.<\/p>\n McDonald, Soraya Nadia. June 19, 2015. \u201cBitcoin, the Brat Pack and blackness: director Rick Famuyiwa talks about \u2018Dope\u2019.\u201d The Washington Post<\/i>.<\/p>\n McDonald, Soraya Nadia. June 19, 2015. \u201cShameik Moore, the breakout star of \u2018Dope,\u2019 nearly squandered the biggest opportunity of his career. Here\u2019s how he recovered.\u201d The Washington Post<\/i>.<\/p>\n Quinn, Eithne. Nuthin\u2019 but a \u201cG\u201d Thang\u202f: the Culture and Commerce of Gangsta Rap<\/i>. New York: Columbia University Press, 2005.<\/p>\n Sales, Paloma, and Sheigla Murphy. \u201cSan Francisco\u2019s Freelancing Ecstasy Dealers: Towards a Sociological Understanding of Drug Markets.\u201d Journal of Drug Issues 37, no. 4 (2007): 919\u201349. https:\/\/doi.org\/10.1177\/002204260703700409<\/a>.<\/p>\n