Crimes, deeds, and spoils of drug traffickers have saturated pop culture for the last decades becoming valuable raw materials for the entertainment industry. This course is designed for students to identify, trace, and analyze audiovisual productions on the so-called narcos in the Americas in order to understand: (a) the plot devices and aesthetic mechanisms with which cultural producers have commodified history as entertainment; and (b) the effects of these types of narratives and imageries in the creation of historical understandings regarding one of the most challenging problems of our times. We accomplish these objectives by watching films, telenovelas and TV shows; reading selected works of history, sociology, anthropology, and journalism (film criticism in particular); and using the tools and technologies of digital humanities in a series of individual and collaborative projects. The ultimate goal is to produce together an open-access digital repository on drug history as entertainment in the Americas.